Sadly,
Susan and my teacher, Bill Parks passed away in his sleep on December 16, 2003 at age 81.
Death is something we all will eventually have in common and is no real
distinction. What sets us apart is how we choose to live, and by that standard,
Mr. Parks' life was a distinguished one, indeed. You can hardly attend a
prestigious show or pick up an art magazine without encountering one of his
former students. Mr. Parks always emphasized that he was merely passing on what
had been given him and the only repayment he expected was that you do the same
with the knowledge you are now temporary steward of. Though
Mr. Parks didn't want a funeral or memorial, any former students who would like
to share a memory or tidbit of wisdom imparted to them from Bill, feel free to
e-mail it to us and we'll include a few of them on this page of our website. Feel free to
send in photos, printouts from his class, or just stories you'd
like to share. I'm going to try and slowly add descriptions of his
teaching method and instruction, though much of it will be a
repeat of what you've heard me say in my demonstrations,
workshops, and videos since our knowledge of painting came to a
large part from Mr. Parks and on down from his teacher, his
teacher's teacher, etc., stretching back from artist to artist to
that first primitive man or woman who picked up a stick and made
marks on some wood or stone wall. Mr. Parks continually reminded
his students of this unbroken legacy and the fact that all of us
are standing on the shoulders of those who preceded us. "To
say that you are self-taught means you have an idiot for an
instructor," was one of his numerous quotes, though I can't
remember who he was quoting. Just the act of picking up a book of
painting is a form of leaning from those before us. Because of
this, Mr. Parks also emphasized the importance of passing on these
hard-won realizations and tools to the next generation of artists. It
is hard finding the time to teach as well as paint and I have to
admit that our focus is mainly on our own struggles and improving
as painters and we usually only find time to do an occasional
workshop or seminar each year. Susan and I hope that by
putting some of the knowledge that we've been given on our website
we're at least doing a small part in sharing Mr. Parks' legacy
with others. Mr. Parks' empashis was much more tilted in the
direction of sharing his knowledge than focusing solely on his own
painting and promotion. He was a great painter, but few would have
seen his work. Sometimes I wonder if anyone would have taken a
workshop from him at one of the many workshop places around the
country since so much of the success of such classes depends on
the fame of the instructor, even though they might not necessarily
be a great teacher. Mr. Parks was a great teacher, that was his
gift. Our paintings are as much a product of him, and all the
teachers we've had, as of our own.
9-30-2007 Hello:
I just found your TERRIFIC! website in homage
to Bill Parks. I studied at the American Academy way
long ago, 1969-1972 I think. There was still a dress
code and we women had to wear dresses and climb up on
those tall drawing horses.
Mr. Parks taught me how to think for myself, how to
break down pre-conceived notions and find the truth,
for a quarter of course. He's been in my head every
day since I was in his class. I don't have to tell
you how great a teacher he was, well he is still
teaching.
Mr. Parks and I became pretty good friends, we would
always sneek out to hall for a smoke during breaks and
laugh.
For some reason in 2002 I was compelled to try and
find him and to say thanks for it all. I did find
him, and to my surprise he remembered me and we must
have talked for two hours. Best phone call I ever
made. Again he taught me and made me laugh. His life
was one of the most valuable I have ever known and I
am grateful to have known him.
Bill Parks was a force of nature. He's my hero.
Caroline Norton
1-20-2004
If you had Bill Parks for Life Drawing you were very
fortunate because it was indeed a two-part class, if you listened,
you learned how to draw, but if you really listened closely, you
learned about life.
He was Yoda, Obi Wan Kanobi
and Merlin all wrapped in a blue smock (except for his Christmas
party when the red smock came out along with his red beret) with a
charcoal stick in one hand and a China marker in the other; a
sagacious shaman with a wry smile, infectious chuckle and a
twinkling smile that was the envy of department store Santas from
coast to coast.
He had wit and wisdom
to spare. He was
always at the ready with a joke or his daily quotes that he posted
on his classroom door. Or
his famous mnemonic notes of encouragement like ‘ATTITUDE,’ or
‘TRY.’ Spelled
vertically each letter represented another word:
Always
Think That It’s The Ultimate Daily Endeavor
Think
Respond Yourself
He was a cheerleader who was
kind of stingy with the rah-rahs.
But that just made the times when he did give you that
mental (as well as physical) pat on the back that much more
savory.
I was lucky enough to have continued our relationship far
past the classroom; mostly phone calls and letters and the
occasional German chocolate cake or pot of Spanish rice that I
would bring to his Saturday classes. He was a kind man.
He was my friend and I will miss him.
But his kindness and friendship will continue forever
through all of us lucky enough to have had him as a teacher.
More importantly I will carry the education/gifts that he
passed on to me and that I can pass on to others.
He was fond of saying that we all stand on tall shoulders.
I am proud, honored and humbled that I got to climb his.
There is a Chinese proverb that says of every three people
you meet, one of them will be your teacher.
Bill Parks was that teacher, times three, to the third
power.
In retrospect what he taught was relatively simple:
-Line
drawing –length and direction; how far does a line go before it
changes direction.
-Values
–squint and compare; darkest dark and the lightest light.
Everything else must fall in between.
-Edges
–keep them soft except for a few near the center of interest.
If you’re unsure, keep them soft.
-Color -paint what you see.
And
don’t complain (too much) about problems with these four issues
until you’ve done four or five hundred paintings.
It’s also good to know that Heaven has a pretty good Life
Drawing teacher. I can
hear his voice… “…Every now and then get up off your cloud
and take a look at your effort from a distance…”
John Tylk
1-9-2004
See this soap
saver, don't remove or touch the soap saver.
It is there to keep
the soap from sitting in the water and wasting away.
If you remove
the soap saver I will be very angry and there is going to be
trouble.
Into the semester
the soap saver was lost and Mr. Parks let us have it
(slamming door and all).
I figured out
that his anger wasn't about the soap saver but about us not
working hard enough. After his talk (putting it nicely) to
the class, everyone seemed to work much harder.
And the soap saver
was found.
Jerry Salinas
class of 1989
12-31-2003
Scott and Susan,
I was looking at your site to link it to my web
@ www.lafayetteatelier.org
and found out the bad news. I guess Mr.
Parks did not get my Christmas card this year. I found a letter
from him the other day. He sent it to me when I was in Italy in
reply to a postcard I sent him from Florence a few years ago. It
had his trade mark hearts and smiles drawn on it, wishing me well.
I wondered how he was doing, I never met a more positive man,
encouraging and honest, all of the way. His love of drawing and
desire to see people get better and feel good about themselves
when they were struggling most, is a major factor that inspired me
to teach. He was teaching much more than drawing in his class that
is for sure, he made me a better person as well as a better
artist. I think it is great that you are making a page for
him, he needs to be remembered and his positive A.T.T.I.T.U.D.E
(always think that its the ultimate daily endeavor) needs to be
passed on. He is with us, I hear his simple logic in my mind every
time I am working or teaching. I remember one time I was working
on a portrait spending too much time messing around with the hair
and avoiding the features (which were giving me some difficulty).
He came along and asked me if I wanted to be a hair dresser or a
portrait artist! I knew just what to do. Smile at the model,
smile at the drawing and smile at myself. We are special, just
like he always said, and probably more so for having him
touch our lives.
Happy New Year
Here's a second story.
Some students who were
switching from the American Academy to another school of
representational art in Chicago were bragging about how long they
worked on their cast drawings at this new school and how they
wanted to grind their own pigment and other such esoteric things.
I asked Mr. Parks what he thought about the value of spending 100
hours on one drawing or working on a painting for a year....... He
simply said, "When you go to your refrigerator and there is
nothing in it, you will wish you know how to work a whole lot
faster." I knew he did not mean that I should slop
things out or only paint for money, but that I should stay my
course and be confident and learn to draw as easy as it is to
breath, not just copy what I see like a machine. He knew first
hand the real life challenge of trying to be an artist and raise a
family and wanted his students to be able to earn a living doing
something they loved. Our time is limited, so make he most of it.
Some of those students who went to draw those casts are probably
still there.
James C. Werner
James,
Susan and I loved hearing your story of Mr. Parks; we all have so
many of them! The best part was the way Mr. Parks would get you to
see the error with questions rather than just telling you what the
error was straight away. Example: "Are you painting what you
see, Scott?" "Oh, yes, Mr. Parks, absolutely."
"And that hand; it's what you see?" After a bit of
studying the model and my drawing, "Yes, I think so."
"And, how many fingers do you see on the model?"
"Five...." of course, halfway through this response I'd
just realized that I'd added an extra finger in my drawing!
Many teachers would just tell you to darken the shadows, that the
foot was too long, etc, but Mr. Park wanted you to learn how to
see these errors on your own, to think critically and to truly
understand why you were changing something or selecting a certain
value or color, which is far more valuable a lesson since it is
one you can apply even when your teacher is no longer there to
tell you! Even when I'm painting now in my studio, I can hear Mr.
Parks' voice in my head asking me, "Are you painting what you
see, Scott?"
Susan and I love your website and artwork and are so happy to see
that there are people like you carrying the torch of art forward.
Happy
painting and look forward to seeing you in person sometime!
Scott Burdick (-:
1-28-2004
Scott
and Susan,
I
saw on your site recently that Bill Parks passed away. You
asked for good stories about him. Here’s one that I
remember
about him.
One
Saturday afternoon after his drawing class at the American Academy
of Art, I was in one of the rooms upstairs working
on one of my own pieces. He came into the room, said hello,
and took a look at what I was doing. After complementing me,
he motioned me to get up and follow him. We both walked to
the area of the Academy where they had the permanent collection on
the walls (Thomas Blackshear, Haddon Sundbloom, et al.). We
went from piece to piece, and he was explaining what was good
about each one. At the end of the talk, he pointed at me and
said “Now, what are you going to do? What’s inside of
you? What are you going to say to people with your work?”
He was trying to emphasize that what I was learning there were
just skills, and that what I should be thinking about is how to
use them well and wisely. He valued the individual
expression of beautiful work as much as the skill. I’ll
always remember that. It was a great lesson.
I
only took his class one time. It was the quarter that he
retired from the Academy after his wife passed on. But he
was great and I can see why he had such a positive effect on
people and why they liked him so much. He lived a long and
full life and, in my opinion at least, was a great success.
He wasn’t rich or famous, but he got to do and share what he
loved for most of his life. If we could all be so lucky!
Best
wishes to you both for your continued success,
Brian
Minder
7-1-2004
Scott and
Susan,
I was deeply moved to read of the passing of my beloved teacher
Mr.
Parks.
Without exaggeration I can say he was and continues to be one of
the
most influential people of my life.
I was a very lucky young man when I walked into his classroom and
parked my self on a bench 25 years ago. Mr. Parks gave me
inspiration,
direction, and practical instruction I could USE. His words ring
in my
ear to this day -- in his voice!
Fortunately I was inspired a few years ago to write and thank him
for
all he had done for me. If I am a very lucky man again, I would be
happy to teach and so continue his legacy. After all what he
really
guided me towards was finding the joy in life and myself. A
wonderful
gift to give.
Paul Schmid
AAA student from 1979 to 1982
9-23-2004
"It's
the long brake time, ten whoooooole minutes of fun, frolick and
fooling around. Anybody got a birthday?"
It's goofy I know, but there is only a few people I am aware of,
who might find that as funny as I do
Take care,
Brian Busch
Dear Susan & Scott,
I was visiting the American Academy
Web site and read that their gallery at the school was the Bill
Parks Gallery. I did a search for him and found your nice
tribute to him, what a great man and a extraordinary teacher.
I hadn't heard of his passing, a lot of memories now filling
my mind.
I had the great fortune to have been
in his Life Drawing class and a summer Oil Painting class.
He took us all painting to Grant Park, our first on location
experience. He gave us all the confidence to paint in public
by telling us, "Remember, you know more now about painting
than the people walking through the park will ever know."
We had more fun that summer, and I met my best friend in his class
over 30 years ago..
I remember most his wink
and his hand out for a quarter from students who would wander into
his class during breaks. He lives on in the hearts of all his
students. His picture still hangs in my studio. I'm sending
a copy of it. It was taken probably in 1973 or 1974.
Your paintings are beautiful.
Continued success to you both!
Best wishes,
DraSan' Nitti

Here's one
of the printouts that I saved from Mr. Parks' classes.

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